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Dogme 95
“With the release of Lars Von Trier’s The Idiots (1998), the work of a group of Danish film makers who work collectively and individually under the ‘documentary’ and verité demands of Dogme 95 has now begun to achieve a measure of critical visibility. In fact, with the release . . .” read more
Spectres of the Aesthetic
“Questions on art which were once seen as overloaded with liberal sentiment are now being taken seriously by the philosophical Left in the English-speaking world. At the heart of this swirl of revision and revival, art is being employed by aesthetic discourse to re-examine questions of subjectivity, judgement, . . .” read more